i wrote constantly in high school, and one of the things i was particularly into was writing plays. just so many of them. a particular one that i wrote was a short, silly skit in which all the characters’ names were just vowels (A, E, I, etc.), and every single line was written to be shouted. (i almost never used exclamation marks, so i guess i decided to put every single one of them in this thing.) there was a family (A, E and I), a robber who burst into their house (O), and their obnoxious neighbor (U) who inadvertently saved the day when he accidentally knocked out the robber. there were quite a few lines where characters were forced to clarify their use of the word ‘I’ (distinguishing it from the child, whose name was ‘I’). the whole thing was basically an excuse to get to the end joke, where the family decides to eat the robber, because they have no food in house. the daughter notes that the robber is too big to fit in the oven, and the father replies that it’s okay, they’ll simply cut him up into smaller pieces. lol.
this was a forgotten piece of nothing, in the larger flood of material i wrote in high school, and the only reason that i even remember it is because it survived the episode where i threw out everything i ever wrote when i was like nineteen or twenty and some girl wasn’t into me. it turned up one day when i was looking through old things for something else, and i was amused by it. so amused by it, in fact, that soon after, when i was bored at work (as an assistant manager at a movie theater), i decided to write more on it. i ended up writing four more ‘acts,’ which were framed as sequels to the initial episode. each new episode repeated the exact same sequence of events as the first one, but each successive episode also was effected by and built on what came before it, so that each one descended further into absurdity. i was really amusing myself.
in particular, the character of the father (A) became, with each new chapter, more and more the center of the show, because he quickly became completely insane. he ranted and raved about how the robber was god, and how his daughter’s (unnamed) grandmother was a whore and was, at that very moment, buying her granddaughter a thousand ponies. after his realization that the robber was god, he was insistent that eating the robber would imbue all of them with magical powers and grant them their deepest, innermost desire. which, as it turned out, for him, was to be a black man, and he spends the final two acts screaming about how he’s black, when he’s totally not. the joke here was that his ideas of the black experience were really specific and really strange. also, he was mad racist, because, obviously, that’s funny.
he screams for his wife to bring him their taxes, because, in his mind, this is what black men do: taxes. when his wife informs him that he’s already completed the family’s tax returns, he bellows that he doesn’t care and to just bring him anyone’s taxes, because he’s a black man. the story eventually bends toward his warped perspective, and the final act begins with him dispatching a team of vampires, again, because he’s a black man now. finally, a new character appears: Sweet Gerald, an actual African-American man, who is having an affair with A’s wife (E), and who A forces his adolescent daughter to have sex with (offstage). it’s pretty much nonsense by the end. uncomfortably, weirdly racist nonsense. (again, in another instance of the play bending towards A’s reality, while he never agrees with A’s assertion that he loves to fuck white women, Sweet Gerald does, in fact, fuck all of the white female characters, and i believe E does suggest that he has a giant penis. omg so fucked up lolol!)
it’s hipster racism, and it’s pretty bad. the ‘intended’ joke here is that yeah, this guy’s racist, but he’s a buffoon, and the nature of his specific racist beliefs is so absurd (fighting vampires, doing taxes) that it seems to suggest that any racist belief is absurd. if i say it that way, maybe it doesn’t sound quite so bad, but there’s two important caveats here: explaining it that way obscures the very real fact that, mostly, i was just entertaining myself by writing a character who used the word ‘nigger’ and said crazy racist shit, because i knew it was provocative. (a tip-off, i suppose, to what i was up to is contained in the name ‘Sweet Gerald,’ which is a reference to Mr. Show, which played this game sometimes.) also, regardless of my intent, it’s fucking racist, whether it’s funny or not. basically, i still needed to grow out of this idea that saying racist stuff is okay if you’re joking and you think you’re making fun of the real racists. basically, i was another white person who is educated and understands why racism is bad and harmful and believes all the right things, but who also, you know, has no meaningful life experience being around, like, actual people who aren’t white. well, that’s not entirely true.
(in case you’re reading this and feeling like you want to give me credit for being willing to interrogate my past behavior and thinking maybe i’m being too hard on myself, here goes the part where i’ll show you why i don’t deserve any good will or benefit of the doubt.)
there was one African-American employee on the floor staff at the theater i was an assistant manager at, a guy named Jacob. he was a good guy, though a bit of a scoundrel in his interactions with girls. for the most part, though, that had nothing to do with me (except one time when a girl that he was cheating on came to the theater and made quite a scene), so he was one of my favorites on the floor staff. i was pretty unapologetic about picking favorites, even though it often had the effect of making the people who i really liked- Jacob included -become really lazy and kind of worthless as employees, which was ironic, since being a really good, conscientious employee was one of the main things that made me decide that someone was one of my favorites.
anyway, i would allow my favorites to spend excessive amounts of time, during dead periods (which was mostly all we had at that place), hanging out in the office with me. whenever i was writing these additions to my play, i let one of my other favorites read it, and they thought it was hysterical, and they told Jacob that he had to read it, with, it seemed, no mention of any specific content. so he asked me if he could see it, and after very little hesitation, i obliged. again, with no mention of any specific content. which is fucked up. the fact that the final two sections were full of racist ‘jokes’ and more than one utterance of the N word (with a couple other slurs tossed in, for variety) gave me pause, but i told myself it was fine- it’s just a joke, and Jacob is cool, he’ll get it.
as he read through the thing, i became really nervous. not nervous because i had handed this young African-American man a text contained really vile racist terminology and stereotypes in service of silly, masturbatory humor that might be offensive and deeply upsetting to him, but rather that he might ‘misinterpret’ these jokes and get the obviously mistaken idea that i was racist.
fortunately, as i had expected, Jacob was cool. he thought that the racist shit that his white boss (that was older than him, in his almost entirely white workplace in his overwhelmingly white town) wrote and gave to him, and then sat there watching while he read it, was super funny. i exhaled. i knew he’d get it. i knew that he’d know i’m a good guy, because i let him work in the booth all the time and get out of cleaning theaters. i knew he’d know i’m an ally. the kind of ally that writes outrageously racist shit not because he’s racist, but because he wants to make fun of the real racists. he even wrote a little note at the bottom of one of the pages (probably one that contained a particularly nasty racist joke): “Approved by Jacob,” or something to that effect, followed by the date. like, lol, he was a real-live black person who was giving me his stamp of ‘non-racist’ approval. i could feel like i was in the clear now, because i had written proof that a single black person (who i had direct power over) found my racist jokes humorous. or, at least, that he pretended to convincingly enough that it didn’t occur to me to question it.
fucking asshole.
(i mean me, not Jacob.)
(damn, it would be so great if he saw this post.)

